夏雨林 Forest of Gentle Shower
Hawu Lim | Solo Exhibition
Hawu Lim | Solo Exhibition
In Forest of Gentle Shower, Hawu Lim explores the power of quiet strength—shaped by vulnerability, stillness, and emotional reflection. This exhibition features drawings and installations from the Still Life (가만히 있는 자) and Mutato (무테이토) series, centered around Lim’s recurring motif of potatoes—reflecting the flawed and ugly selves in idleness and avoidance.
Inspired by the Korean word jambi (잠비), meaning a sudden summer rain that brings a moment of rest, the exhibition echoes the spirit of our Gentle Shower Eau de Parfum, inviting visitors to embrace these arid moments as part of our journey in life.
Hawu Lim (b. 1989, Seoul) is a Korean-American artist based in Brooklyn. She received her BFA from Pratt Institute.
Hawu Lim
2024
Graphite, pastels, oil stick on vellum
120.65 x 88.9cm
Hawu Lim
2023
Graphite, oil stick, oil and wax pastels on vellum
109 x 143cm
“Life always loves us, but not always in the ways we expect. There are times when we cannot move forward, when we must confront our less-perfect selves. In those moments, we pause—and through a wry smile or gentle comfort, much like a sweet summer shower, we gather strength to go on. May Hawu’s Forest of whimsical installation and drawings offer the audience a brief second to catch their breath and a spark of courage to continue on.”
Hawu Lim
2025
Graphite, wax pastels, oil stick on vellum
126.4 x 71.1 cm
Hawu Lim
2025
IInstallation of 26 felt potatoes in a burlap sack
Dimensions variable
Hawu Lim
2023
Graphite, oil stick, oil and wax pastels on vellum
109 x 143cm
Hawu Lim (b. 1989, Seoul, South Korea) is a Korean-American artist based in Brooklyn.
Growing up in suburban America as a 1.5-generation undocumented immigrant, day-to-day survival was often prioritized over emotional wellness – there was no room for anything else beyond it.
Life was always difficult, profoundly lonely, and filled with the uncertainty of limbo. Feelings were overwhelming, and Lim started to foster them into a stagnant pool within her limbo. Only when the pool overflowed did Lim begin to acknowledge what had been neglected. The decayed, tangled remnants of feelings were difficult and painful, resembling a forgotten sack of potatoes, shriveled and sprouting in a dark corner—ugly, unwanted, yet stubbornly hopeful. Lim draws from this pool to study them on the paper in the hopes of understanding, loving and, living in this absurd world.
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